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Room acoustics trade
Silphon®Acoustic cuboid
Silphon? acoustic cuboid Basotect? G+ light grey
Silpon® acoustic cuboid Basotect® B white
Silphon®Acoustic cylinder
Silphon® acoustic cylinder Basotect® G+ light grey 1000 x 100 mm
Silphon® acoustic cylinder Basotect® B white 1000 x 100 mm
Silphon® acoustic cylinder Basotect® G+ light grey 500 x 150 mm
Silphon® acoustic cylinder Basotect® B white 500 x 150 mm
Silphon® acoustic cylinder Basotect® G+ light grey 1000 x 150 mm
Silphon® acoustic cylinder Basotect® B white 1000 x 150 mm
Silphon® octagon acoustic buffalo
Silphon®acoustic buffalo octagon Basotect® G+ light grey
Silphon®acoustic buffalo octagon Basotect® B white
Silphon® octagon acoustic panel
Silphon® acoustic panel octagon Basotect® G+ light grey
Silphon® acoustic panel octagon Basotect® B white

Silphon® acoustic cylinder Basotect® G+ light grey for excellent sound absorption behaviour over a wide spectrum.

The Silphon® acoustic cylinders are made of Basotect® G+ light grey melamine resin foam. Thanks to its low weight of approx. 9kg/m3, it is easy to install without any major effort. The Silphon® acoustic cylinders have very good sound absorption properties over a wide spectrum. A further plus point is the fulfillment of the fire protection standard according to DIN 4102 / B1 as a result Basotect is a flame-retardant material and also achieves above-average results in surface insulation and thermal insulation. The standard dimensions of the acoustic cylinders are 2000 mm long with a diameter of 100 mm. On washes, we can also produce customer-specific dimensions with our "swiss made" processing. The Silphon® acoustic cylinders can be easily mounted on the ceiling with the Vibra® suspension system or simply by means of hooks and nylon thread. You can find further information in our online-shop!

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Frequently asked questions (FAQ)

The fire protection foam with the designation B1 is certified according to DIN 4102-1 and meets the requirements of building material classes B1 and B2. The following building material classes are distinguished: A: non-combustible building materials (A1,A2) B: Combustible building materials B1: flame-retardant building materials B2: normally flammable building materials B3: highly flammable building materials

The positioning of the acoustic elements on the wall and ceiling can be determined by using a mirror. Viewed from the listening position, the mirror is thereby shifted to the ceiling or wall until the speakers are visible in it. This is the perfect position for the most important acoustic elements. The Silphon bass traps are most effective when positioned in the corners of a room, because of the sound reflection from the ceiling, walls and floor. In principle you start with the lineup behind the boxes. The siphon bass traps can be stacked until the desired absorption is achieved.

By using foam absorbers or foam bass traps, the reverberation time is reduced evenly across the entire frequency spectrum. Thereby a clearer and drier room sound is created. With the targeted use of absorbers, especially the disturbing initial reflections from the walls can be attenuated. The booming bass range can be specifically absorbed by bass straps. The sound image of the room through the use of absorbers becomes more homogeneous, softer and more lively.

Materials such as concrete, glass or tiles are placed under sound-reflecting surfaces, which reflect the sound waves up to 100% and as a result do not insulate or absorb the sound. To reduce the volume (sound pressure) and the reverberation time in hard rooms, hard surfaces must be reduced and replaced by surfaces with sound absorbers that absorb the sound. The sound absorbers allow the sound waves to penetrate the structure and as a result the sound energy is converted into heat or kinetic energy.

In general, it can be said that the more surface of walls and ceiling is covered with foam materials, the less sound can be reflected from them. From experience, it can be assumed that approx. 40% - 50% of the ceiling and wall surfaces should be covered. With 100% cladding there is no more natural sound and this leads to unpleasant acoustics.

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