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Silphon®Acoustic cylinder | Silphon® acoustic cylinder Basotect® B white 1000 x 100 mm

Room acoustics trade
Silphon®Acoustic cuboid
Silphon? acoustic cuboid Basotect? G+ light grey
Silpon® acoustic cuboid Basotect® B white
Silphon®Acoustic cylinder
Silphon® acoustic cylinder Basotect® G+ light grey 1000 x 100 mm
Silphon® acoustic cylinder Basotect® B white 1000 x 100 mm
Silphon® acoustic cylinder Basotect® G+ light grey 500 x 150 mm
Silphon® acoustic cylinder Basotect® B white 500 x 150 mm
Silphon® acoustic cylinder Basotect® G+ light grey 1000 x 150 mm
Silphon® acoustic cylinder Basotect® B white 1000 x 150 mm
Silphon® octagon acoustic buffalo
Silphon®acoustic buffalo octagon Basotect® G+ light grey
Silphon®acoustic buffalo octagon Basotect® B white
Silphon® octagon acoustic panel
Silphon® acoustic panel octagon Basotect® G+ light grey
Silphon® acoustic panel octagon Basotect® B white

Silphon? acoustic cylinder Basotect? B white for excellent sound absorption over a broad spectrum.

The Silphon? acoustic cylinders are made of Basotect? B white melamine resin foam and, thanks to their low weight of approx. 9kg/m3, can be installed easily and without major effort. The Silphon? acoustic cylinders have very good sound absorption properties over a wide spectrum. A further plus point is the fulfillment of the fire protection standard according to DIN 4102 / B1 as a result Basotect is a flame-retardant material and also achieves above-average results in surface insulation and thermal insulation. The standard dimensions of the acoustic cylinders are 2000 mm long with a diameter of 100 mm. On washes, we can also produce customer-specific dimensions with our "swiss made" processing. The Silphon? acoustic cylinders can be easily mounted on the ceiling with the Vibra? suspension system or simply by means of hooks and nylon thread. You can find further information in our online-shop!

Media

Item no.
  		Label
  		Quality
  		Bulk density
kg/m³ 		Color
  		Length
mm 		External ∅
mm 		Delivery period
  		Price
/pce 		Graduated price
  		quantity
  		 
  		 
 
Acoustic cylinder Basotect® B white
Room acoustics baffle white
Melamine resin foam Net weight of approx. 9kg/m3
Foam Fire protection standard according to DIN 4102 / B1

Frequently asked questions (FAQ)

The fire protection foam with the designation B1 is certified according to DIN 4102-1 and meets the requirements of building material classes B1 and B2. The following building material classes are distinguished: A: non-combustible building materials (A1,A2) B: Combustible building materials B1: flame-retardant building materials B2: normally flammable building materials B3: highly flammable building materials
By using foam absorbers or foam bass traps, the reverberation time is reduced evenly across the entire frequency spectrum. Thereby a clearer and drier room sound is created. With the targeted use of absorbers, especially the disturbing initial reflections from the walls can be attenuated. The booming bass range can be specifically absorbed by bass straps. The sound image of the room through the use of absorbers becomes more homogeneous, softer and more lively.
The positioning of the acoustic elements on the wall and ceiling can be determined by using a mirror. Viewed from the listening position, the mirror is thereby shifted to the ceiling or wall until the speakers are visible in it. This is the perfect position for the most important acoustic elements. The Silphon bass traps are most effective when positioned in the corners of a room, because of the sound reflection from the ceiling, walls and floor. In principle you start with the lineup behind the boxes. The siphon bass traps can be stacked until the desired absorption is achieved.
Booming bass frequencies are often the cause of resonances of sound in the room. Silhouette bass traps effectively suppress the low frequencies and can contribute to an improvement and stop the annoying booming.
Various factors can influence the room acoustics. For example, organic materials such as cork floors, wooden parquet, wooden ceilings or wooden walls are very well suited for pleasant room acoustics. Smooth concrete walls, granite floors and glass surfaces reflect sound very strongly and as a result are acoustically unfavourable. The interior design has a great influence on the sound spreading and as a result on the sound image in the room. A lounge seating area or a fitted carpet has an absorbing effect and a book shelf on the wall ensures that the sound is diffused. However, a specific improvement of the room acoustics can only be achieved by combining special Silphon acoustic modules.
Materials such as concrete, glass or tiles are placed under sound-reflecting surfaces, which reflect the sound waves up to 100% and as a result do not insulate or absorb the sound. To reduce the volume (sound pressure) and the reverberation time in hard rooms, hard surfaces must be reduced and replaced by surfaces with sound absorbers that absorb the sound. The sound absorbers allow the sound waves to penetrate the structure and as a result the sound energy is converted into heat or kinetic energy.
In general, it can be said that the more surface of walls and ceiling is covered with foam materials, the less sound can be reflected from them. From experience, it can be assumed that approx. 40% - 50% of the ceiling and wall surfaces should be covered. With 100% cladding there is no more natural sound and this leads to unpleasant acoustics.
In general, the thicker the foam, the better and more efficient the sound absorption. If mainly middle or higher frequencies have to be optimized, good results can be achieved already from a thickness of about 30 mm. If low frequencies (bass tones) are involved, thicknesses from approx. 50 mm are advantageous. In general, it should be noted that the lower the frequencies and the higher the room, the thicker the foam panels should be. If a material is too thin, it only absorbs treble. If the material is thicker, it also absorbs low frequencies
Basically, neither pyramid foams nor nubbed foams are suitable for sound insulation to the outside. These two sound insulation materials mainly reduce noise or reverberation in rooms and are used to absorb sound. Above all, the room acoustics are improved. The nubbly foam as well as our pyramid foam are produced "swiss made" in the Vibraplast AG. The pyramids are produced by cross-cutting on a horizontal contour cutting machine, the nubs are produced with a profiling roller. Since the production of pyramid foam takes longer, the price is correspondingly higher than that of nubbed foam. The panel thickness defines which frequencies are absorbed. The thickness of the foam defines which frequencies are absorbed. Thin foam boards tend to absorb in the higher frequency range, while thicker foam boards tend to absorb in the lower frequency range. For the same material thickness, nubbed and pyramid foams are equivalent. It is up to you to decide which look suits which room better.
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